КОММУНИКАТИВНЫЕ ОСОБЕННОСТИ ПОЛИКОДОВОГО ХУДОЖЕСТВЕННОГО ТЕКСТА (НА МАТЕРИАЛЕ ПРОИЗВЕДЕНИЙ АНГЛОЯЗЫЧНЫХ АВТОРОВ).

INTRODUCTION
Over the past century, in the depths of civilization, many specific polycode
systems were born, built on the combination of texts of different semiotic nature.
First, photography, loans, and television have quickly become major tools for
building public awareness and an integral part of modern social life. When these
mass media cartoons, magazine advertisements, outdoor or television editions, mass
computerization, and the dwindling virtual Internet network are added, it is very
certain that interfaith imagery multimodality will play a significant role in the new
millennium culture.
Visual information is becoming more and more widespread in human-created
and consumed texts, breaking the monopoly of the printed word. As P. Vaillant
rightly notes, operating instructions are increasingly reminiscent of comics, wall
safety rules - children's coloring instructions and control panels for household
appliances often only contain ideograms. Under the influence of television and the
Internet, printed texts are disappearing, and newspapers and magazines themselves
continue to increase their share of visual information in the materials provided.
At the same time, it is difficult to agree with those researchers who talk about
revolutionary changes associated with the use of polycode texts. Achieving
maximum inattention and clarity of meaning is difficult to attribute to the specific
characteristics of modern social communication. At any time, the portrait logo on
typography is the first choice, whether it is on a poster in front of a merchant’s shop,
or in a craftsman’s workshop, on the ordinary coat of the nobility, in the Christian
culture, like a religion to the masses in glory Evils as important as education are
based on icon-based murals or church stained glass windows
Thus, only the achievements of technical progress that open up new
possibilities for structuring visual iconic information can be considered
revolutionary, but not a striving for its widespread use.
The relevance of this study is the need for an unambiguous definition of such
a term as "polycode text", which is currently defined rather unclearly, as well as to
determine its place in linguistics.
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The relevance of the study is determined by the general persistent interest in
the issues of interaction and mutual influence of verbal and iconic signs, as well as,
more broadly, by the “iconic turn” associated with the change in the role of visuality
in the field of communication. Insufficient development of the methodology for the
complex interpretation of polycode works also determined the relevance of the work.
It is important to refer to culturally significant texts that reflect the national picture
of the world. The approach to these problems lies in the area of intersection and
integration of linguistics, semiotics, text theory and semantics of the context of a
work of art.
The scientific novelty of the work lies in the fact that for the first time a
complex multifaceted analysis of the verbal iconic communicative characteristics of
a culturally significant polycode literary text is carried out. Polycode in work is
studied as a form of artistic communication; as a factor in the general generation of
meaning; as a parameter that actualizes the dialogic nature of a literary text and
contributes to filling information and cultural gaps.
The theoretical significance of the study consists in identifying the specifics
of the functioning of polycode in literary and artistic communication; clarification
of the principles of interpretativeness of polycode literary texts and the
corresponding role of the iconic component; in the possibility of further using the
theoretical conclusions of the work in the subsequent development of the theory of
polycode text, in research on general text linguistics, cognitive linguistics,
linguosemiotics.
The practical value of the work comes from the possibility of using the
research results in lecture courses on text linguistics, communication theory,
cognitive linguistics, special courses on ethnolinguistics, linguistics, text analysis
and interpretation, intercultural communication, as well as in practical classes in
English, focused on the formation and development of communicative and analytical
skills.
The object of the research is polycode of literary text as a factor in generating
meaning.
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The subject of this research is communicative and pragmatic features of the
interaction of verbal and iconic signs and methods of their actualization within the
framework of a polycode literary text.
The objective of this study is to study the features of the functioning and
mutual influence of verbal and iconic components in literary and artistic
communication.
The subject, object and objective of the research led to the formulation of the
following research tasks:
1. To consider the theoretical concepts that form the basis ideas about the
functioning and perception of polycode texts;
2. To determine the features of language code functioning and iconic
levels in the structure of the polycode fiction text;
3. To analyze the features of the implementation of polycode as a form of
fiction communication;
4. To reveal the specifics of actualization of the verbal and iconic
figurative meanings of the national culture;
5. To determine the role of the iconic component in the formation of the
integral space of a work of art;
6. To determine the significance of the of polycode texts study for
semiotics and stylistics.
The scientific novelty of the research is the study of the concept of a polycode
text as a special phenomenon that includes various components of semiotic systems.
Modern linguists began to pay increased attention to one of the most
noticeable (literally and figuratively) semiotic codes - the iconic one - which has
become one of the representations of the so-called non-verbal communication.
Among the numerous studies on the linguistics of the text (in the broad sense of this
term), studies of semiotically complicated, video-verbal, composite, contaminated,
polycode, creolized text began to appear，the researches, who work in this field are
E.E. Anisimova , Yu.M , Sergeeva , S.Yu.Pavlina, T.E. Nikolskaya , O. V.
6
Poimanova , A.G. Sonin , Yu.A. Sorokin, E.F. Tarasov, E.Wilson , V.Wild ,
A.Paivio , N.Goodman , G.Kress and others.
Especially significant for the work is “Commentary on the Posthumous Papers
of the Pickwick Club” by G.G. Shpet. In this unique historical and social
commentary, conclusions of the 7th plane are especially important. Author's position
Comments in the work “The internal form of a word. Etudes and Variations on
Themes of Humboldt”, which is based on the study of one of the methods of the
psychology of social life.
The source study base of the research was made up of works of fiction in
English literature: “Vanity Fair” (1848) by William Thackeray; “The Posthumous
Papers of the Pickwick Club” (1836) by Charles Dickens; limericks by Edward Lear
published in “Book of Nonsense” (1846) and “More Nonsense, Pictures, Rhymes,
Botany”, etc. (1872); “Alice's Adventures in Wonderland” (1865) and “Alice
Through the Looking-Glass” (1872) by Lewis Carroll.
The methodological basis of the study was the methods inherent in
philological knowledge - primarily comparative-historical and genre-typological. A
combination of literary, linguistic and aesthetic approaches to the study of linguistic
problems is used. The choice of specific techniques is determined by the specific
tasks of each section and the originality of each of the analyzed in the work.
In order to achieve the research objectives, the following structure of the work
is determined: introduction, three chapters, conclusion, list of references and
appendix.

CONTENTS
INTRODUCTION .................................................................................................. 3
CHAPTER 1. THEORETICAL ASPECTS OF THE POLYCODE TEXT IN
MODERN LINGUISTICS ..................................................................................... 7
1.1. The Concept of the Polycode Text in the Theoretical Aspect .................. 7
1.2. Linguistic Basis of the Polycode Text Analysis ..................................... 14
1.3. Linguistic and Cultural Aspects of the Polycode Text ........................... 16
1.4. Artistic Texts as an Example of the Polycode Text ................................ 24
CHAPTER 2. POLYCODE ARTISTIC TEXT AS A MEAN OF
COMMUNICATION ........................................................................................... 27
2.1. Polycode Artistic Text as a Complex Semiotic Unit ................................... 27
2.2. Sociocultural Analysis of the English Polycode Artistic Text .................... 48
2.3. Results and Discussion ................................................................................ 60
CHAPTER 3. PRACTICAL RELEVANCE OF POLYCODE TEXT
ANALYSIS IN LINGUISTIC SCIENCIES ....................................................... 61
3.1. Practical Usage of the Research Results in Semiotics ................................. 61
3.2. Practical Usage of the Research Results in Stylistics ................................ 64
3.3. Results and Recommendations .................................................................... 67
CONCLUSION ................................................................................................. 69
REFERENCES ..................................................................................................... 72
APPENDIX ............................................................................................................ 77

Работа выполнена на английском языке . Защита 09.06.2021 оценка 88 баллов - 5 . Уровень оригинальности выше 75 % .

Выпускная квалификационная работа посвящена изучению
коммуникативных особенностей поликодового художественного текста с
иконическим компонентом. В качестве художественных текстов,
представленных нами как поликодовые и рассматриваемые в ходе работы
избраны следующие произведения: роман Ч. Диккенса «Посмертные записки
Пиквикского клуба», роман В. Теккерея «Ярмарка Тщеславия», романы
Л.Кэролла «Алиса в Стране Чудес» и «Алиса в Зазеркалье», поэтические
произведения – лимерики Э.Лира.
В результате исследования было установлено, что поликодовый
художественный текст представляет собой результат взаимодействия
писателя и художника-иллюстратора, выраженный в осмысленной
последовательности вербальных и иконических знаков и кодов,
обеспечивающих передачу информации, имеющей определенную
художественную ценность. Иллюстрации, каррикатуры, различные шрифты в
поликодовом тексте выполняют функцию самостоятельного источника
информации. Наличие в художественном тексте универсальных элементов
иконического уровня кодирования обеспечивает расширение
интерпретационного поля текста, его обогащение специфическими единицами
этнокультурного характера.

Выпускная квалификационная работа посвящена изучению
коммуникативных особенностей поликодового художественного текста с
иконическим компонентом. В качестве художественных текстов,
представленных нами как поликодовые и рассматриваемые в ходе работы
избраны следующие произведения: роман Ч. Диккенса «Посмертные записки
Пиквикского клуба», роман В. Теккерея «Ярмарка Тщеславия», романы
Л.Кэролла «Алиса в Стране Чудес» и «Алиса в Зазеркалье», поэтические
произведения – лимерики Э.Лира.
В результате исследования было установлено, что поликодовый
художественный текст представляет собой результат взаимодействия
писателя и художника-иллюстратора, выраженный в осмысленной
последовательности вербальных и иконических знаков и кодов,
обеспечивающих передачу информации, имеющей определенную
художественную ценность. Иллюстрации, каррикатуры, различные шрифты в
поликодовом тексте выполняют функцию самостоятельного источника
информации. Наличие в художественном тексте универсальных элементов
иконического уровня кодирования обеспечивает расширение
интерпретационного поля текста, его обогащение специфическими единицами
этнокультурного характера.